Joey Dosik at The Sugar Club, Dublin, 17 April 2017
One of the reasons that The Sugar Club is such a beloved venue is its layout. The cabaret-style tables step down from the back wall bar to the front and, unlike most venues, patrons enter right by the stage.
Tonight it’s a fairly simple setup for the first of Joey Dosik’s two nights at the club. (He was first in Dublin in September, supporting Vulfpeck at Vicar Street. Later, Dosik asks how many people were at that “crazy show” and, when answered with enthusiastic cheering, remarks “I’d forgotten how loud ya’ll are!”) A microphone, a Fender Rhodes, a Fender amp, and a Korg Univox drum machine are the only things on the stage. As the room fills up, a playlist gets us in the mood: Save The Last Dance For Me, Tequila, God Is Love, Tracks Of My Tears, Say A Little Prayer, Doesn’t Really Matter (Janet Jackson), At Your Best (Aaliyah), Adorn (Miguel), and some more subtle jazz that my phone’s Shazam app can’t discern…
Dosik comes on shortly after nine dressed in a grey suit, white shirt, and reddish patterned tie. Nice shoes, too. Beaming a smile to the audience, he settles down behind the Rhodes. Opening with Van Morrison’s Into The Mystic, which he bashfully introduces as one he likes to warm up with, it’s immediately apparent that there is a lot of love in the room for this man. His soulful, sunny delivery of the song proves too irresistible a groove for us and as we joyfully match his stamping backbeat in the outro he riffs “I like the way you clap”. (“C’mon yo, clapping on the first song?!”)
The tone of the evening is set and, in all but the quietest of songs, Dosik’s fans clap along and sing harmony and generally exude warmth towards him. One song, Simply Beautiful, he does with the guitar completely off the mic. It’s difficult to pull that off in this venue because, even with the most supportive crowd, the bar is still operating at the back. His guitar playing isn’t quite on the same level as his keyboard playing, but this just lends these songs a charm of a different sort. Together with the completely acapella version of Bill Withers’ Stories, they do serve to vary the dynamics of the evening, as does the use of the drum machine. He operates the device with a foot pedal, to greatest effect on the EP title track Game Winner.
The other songs from the EP – Competitive Streak, Running Away – and the title track of his forthcoming album, Inside Voice, are particular highlights, as is his cover of Marvin Gaye’s What’s Happening Brother.
There is such a sense of style and fun and genuine love from Dosik, it’s easy to see why he inspires such enthusiasm in his crowd tonight. As we leave the empty venue there are still easily twenty people queuing to meet him and to buy merch. Hopefully he’ll be back (with a band!) to charm us again soon.